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Why need to be reading Once Upon A Pillow, By Rebecca Vizard Again, it will certainly rely on just how you feel and also think of it. It is surely that of the advantage to take when reading this Once Upon A Pillow, By Rebecca Vizard; you could take much more lessons directly. Also you have actually not undertaken it in your life; you could gain the encounter by checking out Once Upon A Pillow, By Rebecca Vizard As well as now, we will certainly present you with the online publication Once Upon A Pillow, By Rebecca Vizard in this internet site.
Once Upon a Pillow, by Rebecca Vizard
Review From inspired use of materials to clever storage solutions, here's a sneak peek at how the master does it. (Kitchen, Traditional Home, November/December 2015)Once Upon A Pillow' by Rebecca Vizard celebrates the stunning collection of pillows and accessories Vizard has custom designed with her innovative use of rare textil (Boston Magazine.com, Fall 2015 Issue)Wrapped in a gilt edge, this 193-page beauty is one big tease - in the best way possible (The Times-Picayune, October 22, 2015)The most incredible throw pillows you've ever seen. (Architectural Digest.com, October 24, 2015)Using salvaged antique fabrics, Rebecca Vizard creates luxe, lovely pillows with a gorgeous sense of history. (Veranda, November/December 2015)Vizard's pillow designs are at home in many of the world's finest homes and have graced the cover of design staples like House Beautiful, Veranda, Elle Decor, Traditional Home and Architectural Digest. (IndieReader The Huffington Post, December 17, 2015)Pillows designed using rare textiles made a dazzling array of page turning images in this pretty collection. (The Huffington Post, December 18, 2015)Once Upon a Pillow features a stunning collection of pillows and accessories designed by Rebecca Vizard. (KD Hamptons, December 17, 2015)Titled Once Upon a Pillow, this beautiful illustrated volume published by Pointed Leaf Press contains lots of wonderful ideas for bringing color, charm, and vintage touches to your home. (Southern Lady, January/February 2016)Beautifully and profusely illustrated throughout, "Once Upon a Pillow: A Story Of Home, Design, And Exquisite Textiles" showcases a truly stunning collection of pillows and accessories designed by Rebecca Vizard. (Wisconsin Bookwatch, March 2016)
About the Author "Early in her career, while working on interior design projects from New York to New Orleans, Rebecca Vizard noticed a void in the pillow market. Discovering a niche for antique textiles, Vizard focused on designing these one-of-a-kind pillows for clients, and in the process employed many local seamstresses. Soon pillows sold to Neiman Marcus and other exclusive stores. Her pillows frequently grace the covers of national publications, such as House Beautiful, Veranda, Elle Decor, Traditional Home, and Southern Living. "
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6 of 6 people found the following review helpful. One of the Most Beautiful contemporary books I've ever seen By Katrina One of the Most Beautiful contemporary books I've ever seen. Gold gilt edges, Gorgeous photographs. Lovely narrative and lots of info. Found a pic from one of the toiles in my collection. Ordered one for another textile lover I know. And the pillows are AMAZING !! MUST HAVE !!
1 of 1 people found the following review helpful. Gorgeous book of Vizard's work AND Louisiana By Louisiana Book News Rebecca Vizard's lovely book spotlighting her collection of pillows and accessories, many of which are sold in Neiman Marcus and have graced the covers of national publications, feature Vizard’s stunning designs but also the landscapes of Louisiana (her home) that inspire her. Photos by Antoine Bootz, for instance, juxtapose a foggy morning of bald cypress on a lake with a Vizard pillow sporting 18th century distressed metallic appliqué on French blue velvet. Another shows off the deep reds of an old crepe myrtle that translates to an Ottoman Empire embroidered pillow on top of a green settee with deerskin. It’s a gorgeous exploration of her creations and the environment and history tied to the textiles.
0 of 0 people found the following review helpful. Five Stars By susie It is a beautiful book. It is one to read and look at time and time again. Pure delight. I bought a book for myself for Christmas and was so amazed by it I have bought several more for friends that are collectors of exquisite textiles. There is nothing like it on the market. I have spoken with the author, Rebecca Vizard and she is perfectly lovely and loves what she does. I hope she puts another book out soon.Susie Hile
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Dubliners: Golden Illustrated Classics (Comes With A Free Audiobook), By James Joyce. Delighted reading! This is what we really want to state to you which enjoy reading so considerably. Just what regarding you that claim that reading are only commitment? Don't bother, reviewing routine needs to be begun with some particular reasons. One of them is reading by obligation. As what we intend to offer below, the publication entitled Dubliners: Golden Illustrated Classics (Comes With A Free Audiobook), By James Joyce is not sort of required e-book. You could enjoy this e-book Dubliners: Golden Illustrated Classics (Comes With A Free Audiobook), By James Joyce to check out.
Dubliners: Golden Illustrated Classics (Comes with a Free Audiobook), by James Joyce
From Publishers Weekly Starred Review. Frank and Malachy McCourt and 13 Irish actors bring Joyce's short stories to life in this well-produced audiobook. None of the readers employ a thick accent in the narrative portions, but for dialogue they let their imitative talents shine and their Irish lilts bloom. Brendan Coyle and Charles Keating, reading "A Little Cloud" and "Grace" respectively, give such wonderful expression to the idiosyncrasies of every individual voice that the listener is never confused even when numerous men are talking. Joyce wrote only sparingly in actual dialect, but most of the readers interpret his intentions freely and successfully. Fionnula Flanagan is perfect reading "A Mother," her voice shifting easily between prim and proper tones and fiery indignation punctuated with little sighs. It helps that Joyce's writing is so masterful that when Flanagan and the two other actresses read the three stories that revolve around women, their words sound utterly natural. Not all the performances are on the same level—Stephen Rea's cold, somber voice is apt for the meditative beginning and ending sections of the collection's most famous story, "The Dead," but too flat for the central description of a lively party. This audiobook creates the atmosphere of a fireside storytelling session that will hold any listener in rapt attention. (May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Library Journal Joyce's classic has been recorded before, of course, but in this new version, each of the 15 stories will be read by a different person, including writers Frank McCourt, Malachy McCourt, and Patrick McCabe, and actors Ciaran Hinds and Colm Meaney. Copyright 1999 Reed Business Information, Inc.
Review "Cold is the heart that can resist a warm Irish accent like Gerard Doyle's, especially when that voice is offering splendid material like this Joyce classic.…Heartbreaking epiphanies abound, and Doyle artfully walks the vocal line between empathy and cool efficiency with his performance." ---AudioFile
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184 of 197 people found the following review helpful. This Joyce guy might amount to something By Michael Battaglia I wish I could stand up here and make some pretentious claim that this is the "greatest short story collection of all time!" or something along those lines but I generally don't read short stories or short story collections. But I like James Joyce and so figured what the heck, I made it through Ulysses, this should be a cakewalk. So I read it and if you were wowed by Ulysses then this should reconfirm Joyce's genius for you and that he could do other writing besides that wacky postmodern stuff (before there really was a postmodern). If you're not a Joyce fan most of these (other than a notable handful) probably won't convert you. In essence these are Joyce's portraits of the people of Dublin and the city itself, most of these stories are character sketches, mostly following a few people around as they go about their lives. They were written over a period of time so the quality does vary a bit, the first few stories I don't find anything special but by the time you get to around "Two Gallants" the quality takes a sharp spike upward and stays there right until the end. The prose is fairly easy to follow, the worst part is deciphering all the Irish names and slang that are used liberally for obvious reasons . . . if anything it showed me how two cultures who technically speak the language can sound so different. The stories run the gamut of the "slice of life" genre, if such a thing exists, showing people from all walks of life and all classes of society, showing them as realistically as Joyce could, all their fears and foibles, warts and all. At his best he makes you live the lives of the characters and immerses you deeply into the city of Dublin, probably more than any group of short stories has ever brought a city to life. If you're still not convinced, then take this advice, buy the book for the sake of only one story, the last story in the collection, "The Dead" . . . simply put it is one of the best pieces of short fiction I have ever read. It starts off mundanely enough at a party but by the time the characters leave the party and go back to their hotel the writing becomes something almost otherworldly and Joyce starts writing some of the most evocative prose ever put on paper. If the last few pages don't send chills down your spine, then you must be dead. That's the only explanation. After that gem, everything else is just icing on the cake. Simply put, everyone should read "The Dead" and if you're the type of person whose fancy shall be struck by the rest of the stories here, so much the better.
51 of 56 people found the following review helpful. Rewarding for those willing to tackle it By T. Martin Having grown up in a small town much like Joyce's Dublin, this book has a special significance for me. I've seen so many people from my town graduating from high school without really understanding that there is an entire world outside the place they grew up and lacking the ambition to go explore it. I fear many of them will spend their lives "getting by" in a job they hate, raising children who will inevitably do the same thing. Joyce's "Dubliners" depicts this cycle with as much complexity and compassion as any author I've read.In an age where the most publicized fiction tends to be simple-minded and genre-bound, it's refreshing to come across a writer with Joyce's complexity. "Dubliners" is so rich in its intellectual and symbolic atmosphere that many readers may be put off by the overall weight of the prose. The writing is so thick with metaphorical contexts that the literal content of the story occasionally becomes obscured, which can be frustrating for those not used to reading Joyce. Yet, while difficult, "Dubliners" is far from impossible to decipher, and although these stories function well as a whole, they are also more or less self-contained, which makes "Dubliners" easier to get through than Joyce's other works(it's a lot easier to take on a ten page short story than a 600+ page novel like "Ulysses" or "Finnegan's Wake"). For readers who are new to Joyce, this would be a good place to start.A final note: since this book is old enough to be considered a "classic," there are a plethora of editions available from various publishers. I own the Vintage edition (ISBN: 0679739904). Not only is it a quality printing (not that cheap newspaper ink that rubs off on your fingers), it also contains about a hundred pages of criticism at the end that help shed light on Joyce's often illusive themes. Normally I shun forewards and afterwards (I like to think I've read enough to discover a story's theme on my own), but in the case of Joyce I found that a push in right direction can mean the difference between enjoyment and frustration.
56 of 63 people found the following review helpful. dear dirty Dublin By Rocco Dormarunno As a young man, James Joyce abandoned his hometown of Dublin, and yet, he never wrote about any other place. He had also rejected Catholicism, and yet all his characters are dominated by it. DUBLINERS, Joyce's collection of short stories which set the standard for the genre, is filled with characters who come to terrible revelations (which he called "epiphanies") about how their lives had been scarred by the provincialism of Dublin, the divisiveness of its politics, and the oppression of religion. By extension, this is how Joyce percieved humanity at the dawn of modernism.The stories range from the psychologially simple ("Counterparts" and "A Little Cloud") to the extraordinarily complex ("A Painful Case" and "The Dead"). But what is common throughout is the feel for Dublin just after the turn of the last century. The readers see the cobblestones, the chimneys, the trams and carts, the churches, and the street lamps. More importantly, the readers feel the tensions underlying the public smiles and infrequent bursts of confidence that the characters exhibit.The pinnacle of this collection is "The Dead". A novella, actually, "The Dead" encompasses everything: politics, religion, art, journalism, history, love, and the inevitability of death rendering all worldly things meaningless. This doesn't mean the story is a downer: this death is necessary to making a fresh start. The ending of "The Dead" has been interpreted in hundreds of ways. However, there is no denying that as Joyce "pulls back the camera" from the Conroy's hotel room to the universe above, the writing swells to its most beautiful. To me, this is a movement toward the future, toward change, leaving the living dead behind to a more spiritual life on Earth.Rocco Dormarunno, author of The Five Points.
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It is extremely easy to check out the book Hack Proof: Protecting Your Privacy And Personal Data In The Digital Economy, By John Berry in soft documents in your gizmo or computer. Again, why must be so challenging to get guide Hack Proof: Protecting Your Privacy And Personal Data In The Digital Economy, By John Berry if you can pick the much easier one? This website will certainly reduce you to choose as well as select the most effective collective books from the most desired seller to the launched publication just recently. It will certainly always update the collections time to time. So, connect to internet and also see this site always to obtain the new publication every day. Currently, this Hack Proof: Protecting Your Privacy And Personal Data In The Digital Economy, By John Berry is yours.
Hack Proof: Protecting your privacy and personal data in the Digital Economy, by John Berry
Hack Proof - a guide to protecting your privacy and personal data in the digital economy. You are under surveillance and being tracked without your knowledge. Your personal data is being collected and traded without your permission. Increasing numbers of cyber criminals are out to steal from you. No one is going to protect you and unless you make changes, it is only going to get worse. Unlike many books that describe the problem, Hack Proof goes further with clear Action Steps and products and solution links to protect your data and privacy.
Hack Proof: Protecting your privacy and personal data in the Digital Economy, by John BerryAbout the Author John Berry is a technology executive with over 25 years experience working with cyber security systems. He is an author, writer, speaker, and consultant. He has been involved with technology several start-ups as well as working for market leaders Symantec and IBM. John has travelled extensively, lived and worked in countries in Europe, the Middle East, Africa, and North America. He currently resides in Southern Florida.
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1 of 1 people found the following review helpful. I manage a worldwide ministry as well as a national ... By A. Barrett I manage a worldwide ministry as well as a national business. Since we do the majority of our business on computers (including our website, email and the Internet in general) cyber security is vital to our survival. I have studied a lot in this area and thought I was fairly knowledgeable. I was chagrined to discover after readying Hack Proof that my knowledge (and my security protocols) were woefully inadequate.Anyone who uses a computer, whether for personal use, business or ministry will benefit greatly from reading John Berry's book. Although I am not a computer expert, I suspect that even people who make their living advising people about the Internet would benefit from this outstanding book. Thank you, Mr. Berry.Dr. Tom Barrettwww.ChristianFinancialConcepts.com
1 of 1 people found the following review helpful. It is an easy to read user's guide for all operating systems By Deb This book is a must read for anyone who wants to protect their privacy when using the Internet. It is an easy to read user's guide for all operating systems. John details in user friendly terms "how to" use the web safely as well as tools to protect personal data and privacy. I incorporated his suggestions and have found a huge difference in the speed of surfing as well as the reduction of spam. I feel much more secure on the web after applying his recommendations to my devices. Great read!!
1 of 1 people found the following review helpful. The thing I liked best about reading this book was that it didn't ... By Jim Collins Wow! What an eye-opening book. I can't believe how many people and companies are gathering my personal information...sometimes even to my detriment. The thing I liked best about reading this book was that it didn't just talk about the problem, but it offered numerous solutions. You'll love this book as you discover, as I did, the easy-to-implement action steps to protect yourself both on and off-line. Enjoy!
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El secreto del Bambú: Una fábula (Spanish Edition), by Ismael Cala
La historia se desarrolla en una remota villa de la amazonia suramericana donde el bambú está presente en todo, el jefe de la comunidad, Huascar era un maestro ya anciano que luego de recorrer el mundo vivía en medio de la selva porque así lo había decidido. Tenía tres hijos, dos varones y una niña de apenas 14 años. Huascar les deja un legado como recuerdo en el que había estado trabajando en su taller por años en secreto y nadie lo ha visto. Todos reciben fabulosos regalos pero la hija menor recibe el regalo en el cual Huascar puso más empeño y que trascenderá en la vida de la pequeña y las de todas las personas en su comunidad. Un mensaje que nos recuerda que lo que más importa en la vida no es precisamente lo que aparenta ser lo más preciado o exótico, sino lo que más nos sirve. Una obra de ficción basada en el descubrimiento de un secreto que un padre había escondido en una vara de bambú para sus hijos y las lecciones que aprenden.
El secreto del Bambú: Una fábula (Spanish Edition), by Ismael CalaAbout the Author
Ismael Cala es presentador, productor de radio y televisión, periodista, autor inspiracional y conferencista. Está a cargo del programa de entrevistas de CNN en Español, Cala, un espacio íntimo que recorre los personajes más poderosos y relevantes de la escena internacional, desde políticos, escritores, filósofos, artistas y celebridades, hasta científicos y estrellas del deporte. Es colaborador oficial en el show «Despierta América», de la cadena Univisión, escribe una columna semanal para más de 20 publicaciones de América Latina y Estados Unidos, y dirige la revista digital "Cala 3.0" —una exitosa aplicación para iPad, iPhone, Android y PC— y es uno de los conferencistas inspiraciones más aclamados del continente. Autor de los best sellers El poder de escuchar (2013) y Un buen hijo de P... (2014), Cala nació en Santiago de Cuba (1969) y es licenciado en Historia del Arte por la Universidad de Oriente. Se graduó con honores en la Escuela de Comunicación de la Universidad de York de Toronto y ostenta un diploma de Seneca en Producción de Televisión.
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12 of 13 people found the following review helpful. Una historia conmovedora By Cliente Kindle Un texto es literario cuando tiene la Facultad de conmovernos, cuando convoca emociones. Cuando el lector se enriquece con un mensaje inspirador. Cuando el mismo se incorpora a su vida y lo hace reflexionar. Pensar.No deje de leer este libro y descubra: El secreto de bambú.Desde Panamá.Rose Marie Tapia R.
7 of 7 people found the following review helpful. Uplifting and Enjoyable By PinkieFairy I am writing this review based on the information provided by my mom as this was a book that I purchased for her. She absolutely enjoyed this book It was inspiring and uplifting. She is definitely looking forward to reading more from the same author.
3 of 3 people found the following review helpful. Es un libro lleno de sabiduria y de una forma ... By daisy cedeno Es un libro lleno de sabiduria y de una forma sencilla de pone a pensar y a meditar sobre la vida.Tambien te transporta a un viaje a la aventura, con una chispa de misterio y entretenimiento.Me encanto
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Force Ripe, By Cindy McKenzie. The developed technology, nowadays assist everything the human needs. It consists of the everyday tasks, tasks, office, amusement, and more. One of them is the excellent net link and also computer system. This condition will certainly ease you to support one of your hobbies, checking out practice. So, do you have going to read this publication Force Ripe, By Cindy McKenzie now?
Force Ripe, by Cindy McKenzie
Set on a West Indian Island, Force Ripe portrays the story of Lee, a little girl growing up in a northern village in the 1970s, when it was normal for children to be left with grandparents while parents went abroad to work and send money home. It was the time of revolution, during which Lee’s father joined a growing Rastafarian movement. Force Ripe tells, in Lee’s voice, the story of her life in the ghetto with her brother and father, when the siblings were taken out of school and left on their own to roam the bushes and smoke ganja. It describes how she was taken by a Rastman when she was just ten, and how she survived - with no one to turn to - during a time of women’s liberation, free education and youth movements. She is subsequently rescued when the Rastafarian commune is disbanded by the People’s Revolutionary Army-(PRA), and struggles to bury her secret past.
Force Ripe, by Cindy McKenzieAbout the Author Cindy McKenzie was born and raised in Grenada. She was fortunate to grow up in a village where the road was her playground and doors were never locked. She is free spirited and passionate about creating, which shines through her stories as well as her craft. Her inspiration comes from everywhere, especially from her desire to tell these stories in a voice that is unique to her and to her West Indian culture. She has regular postings on her face book page as well as her blog. She lives with her husband and daughter. Force Ripe is her first novel.
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4 of 4 people found the following review helpful. Thought provoking and challenging By Karen Stiell An excellent read depicting life growing up in rural Grenada. It is written in dialect - both the narration and the dialogue which can be challenging to read at times for a non Grenadian, but it is readable. There is a glossary of local terms in the back which helps with unusual words. It is an eye opener for those of us from the West, who look upon Grenada as an idyllic paradise. We learn about the people and the hardships and struggles endured in every day life. Well worth the read if you are looking for a read which is different, thought-provoking and challenging.
3 of 3 people found the following review helpful. What an unforgetable journey! By Dunbar Campbell Cindy McKenzie’s novel, Force Ripe, is a literary gift to Grenada, an inspiration to children, and a powerful lesson to parents everywhere. This novel touched my soul. Its magic is in the simple but profound observations of Lee, a young girl facing the challenges and dangers of a harsh existence that no child deserves. It’s an unforgettable journey of abandonment, betrayal, and painful secrets. Yet, she prevails, giving testimony to the resilience and strength of the human spirit. When I turned the last page, I wanted to meet her, to hear her voice, and experience her strength. The story rings so true, the details so vivid, I know Lee is out there somewhere. When you read this book, you will have the same experience too.
3 of 3 people found the following review helpful. A very touching journey. By LUCINDA FRANCIS Well worth the read.... the author truly described the hardship and abuse (physical & mental) some children went through by the hands of their caregivers even their own family. It was heart wrenching go through the journey of the young life of the author with her as she told the story. I'm so thankful I have not been through what she has described. I truly respect this young woman for the strong and graceful person she is today. Kudos to a true nubian princess.
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Do you ever before know the e-book Sanjay And Craig #1: "Fight The Future With Flavor" (Sanjay & Craig), By Eric Esquivel Yeah, this is a really interesting publication to check out. As we informed previously, reading is not type of responsibility activity to do when we have to obligate. Reading need to be a practice, a great habit. By reading Sanjay And Craig #1: "Fight The Future With Flavor" (Sanjay & Craig), By Eric Esquivel, you could open up the brand-new world and also obtain the power from the globe. Every little thing can be gotten through the publication Sanjay And Craig #1: "Fight The Future With Flavor" (Sanjay & Craig), By Eric Esquivel Well briefly, publication is quite effective. As just what we provide you right here, this Sanjay And Craig #1: "Fight The Future With Flavor" (Sanjay & Craig), By Eric Esquivel is as one of checking out e-book for you.
Sanjay and Craig #1: "Fight the Future with Flavor" (Sanjay & Craig), by Eric Esquivel
Does your neighbor have butt implants and a blueberry obsession? Can your best friend do ANYTHING without barfing? Welcome to Lundgren, where Sanjay Patel and Craig Slithers have the most rad-awesome adventures imaginable.
From their collection of fart jars to their shared love of chicken wings, Sanjay and Craig are more than a boy and his pet snake… they're family!
Ready for the ride? Buckle up your fart baby and grab some napkins because Sanjay and Craig are about to douse you in awesome-sauce. NOICE! See you at the Frycade!
Sanjay and Craig #1: "Fight the Future with Flavor" (Sanjay & Craig), by Eric EsquivelAbout the Author
Eric Esquivel is an author, screenwriter, and journalist whose previous comic book work includes stories for the ADVENTURE TIME, BRAVEST WARRIORS, SONIC THE HEDGEHOG, and WONDERLAND franchises, as well as the original series BLACKEST TERROR, BOO!, CALABRESE, and LOKI: RAGNAROK AND ROLL.
Ryan Jampole is a Harvey Award nominated comic artist best known for his work on the MEGA MAN series for Archie comics.
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0 of 0 people found the following review helpful. Nickelodeon Sanjay & Craig in Print - Hilarious Fun for Kids By Sue Morris @ Kid Lit Reviews This first edition of Sanjay and Craig features six stories about a boy, Sanjay, and his pet snake, Craig.In the title story, “Fight the Future with Flavor,” Sanjay’s father fixes his son and Craig an afternoon snack of traditional Indian food. Sanjay and Craig are both repulsed. The duo prefers a diet of hot wings from the Frycade restaurant. To help the two get out of the nutritious snack, Sanjay’s alter ego materializes. He tells an apocalyptic story recalling the day he ate just such a snack, and what it caused.Instead of commercial interruptions, fictitious movie trailers fill the space between each story. Tufflips Productions announces the arrival of each movie. Remington Tufflips is the star, director, producer, writer, and anything I might have forgotten. First up, the swashbuckling high seas adventure “Hi-Yacht,” rated PG for “gratuitous puns.”Sanjay is the winner of a video game contest at the Frycade, winning a month of free hot wings, in “Hot Wings from Heck.” Sanjay and Craig take advantage of the prize by eating hot wings three meals a day, nearly putting the Frycade out of business. Penny, the owner, builds a Frankenstien-ish hot sauce that self-duplicates and then tries to take over the town. Sanjay and Craig are heroes when they eat the town clean.Now, another Tufflips Production movie trailer: Mall rats take over the shopping mall until the Mall Security Samurai tackles the overgrown mall rats. “Let’s Go Chopping,” is rated PG for “realistic mall melee action.”(On original post at Kid Lit Reviews, there are pictures between these paragraphs, showing you the "ad.")The colorful graphic novel continues with, “Lord of the Pipes.” Dad loses his wedding ring in the garbage disposal while retrieving Sanjay’s Aquaman figurine. Craig volunteers to slink into the sink drain and reclaim the ring. First, Craig must fight off a “Garbage Disposal Domain” creature determined to keep the ring and remain eternally in power. The ring’s inscription reads, “Forever.”This Sanjay and Craig graphic novel is fun, tongue-in-cheek geekiness. Sanjay and Craig take the boy-and-his-pet to the extremes with Craig and his human capabilities. Their adventures are strange, absurd, and what pre-teen boys—and many girls—will love. The illustrations are colorful and filled with imagery boys crave (aliens, destruction, strange characters, and bodily functions, among other oddities).Kids who love this Nickelodeon show will enjoy this series of grahic novels--comic books. In full color, humorous, and adventurous. Both boys and girls will love Sanjay and Craig. This is number 1 of a new series and oint venture between Nickelodeon and publisher Papercutz.Original review at Kid Lit Reviews/received in exchange for an honest review.
0 of 0 people found the following review helpful. Great book my 10 year old daughter loved it By Nikki dinch Great book my 10 year old daughter loved it! She said it was very easy to read! She enjoyed it! She loves watching the show!!
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Cold Weather Crochet: 21 Cozy Garments, Accessories, And Afghans To Keep You Warm, By Marly Bird. In what instance do you like checking out so considerably? What about the kind of the e-book Cold Weather Crochet: 21 Cozy Garments, Accessories, And Afghans To Keep You Warm, By Marly Bird The should read? Well, everybody has their own reason ought to check out some books Cold Weather Crochet: 21 Cozy Garments, Accessories, And Afghans To Keep You Warm, By Marly Bird Mostly, it will certainly associate to their requirement to obtain expertise from the publication Cold Weather Crochet: 21 Cozy Garments, Accessories, And Afghans To Keep You Warm, By Marly Bird as well as desire to review merely to obtain enjoyment. Novels, story publication, and also other entertaining e-books come to be so popular this day. Besides, the clinical books will certainly likewise be the best need to choose, particularly for the students, educators, medical professionals, businessman, and also other occupations which are fond of reading.
Cold Weather Crochet: 21 Cozy Garments, Accessories, and Afghans to Keep You Warm, by Marly Bird
Cold-weather accessories for year-round crocheting!
As holidays and special events draw near, we pick up our crochet hooks and yarn and settle in to make projects to gift to friends and family. In Cold Weather Crochet, well-loved designer Marly Bird has created a diverse and eye-catching collection of 21 crochet patterns specifically designed to keep us warm. Patterns are easily accomplished by beginner-level as well as more advanced practitioners of yarn and hook.
If you're looking for small crochet accessories to make, you will find plenty to capture the imagination--hats, gloves, and cowls galore! These snap-to-make projects boast gorgeous colorwork and clever design details. Those looking to sink their hooks into a bigger project will be pleased to find cheerful afghan patterns along with a gorgeous lacy wrap. Designs are included for both men and women, perfect for gifting.
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Cold Weather Crochet: 21 Cozy Garments, Accessories, and Afghans to Keep You Warm, by Marly BirdReview "A great assortment of patterns...there's something for everyone's skill level." --The Crochet Architect "Cozy up for the winter months with...Cold Weather Crochet. This charming collection [is]...perfect for layering up nearly any time of year...these patterns are as cozy as they are stylish.... The patterns in this collection are creative, fun, and perfect for a variety of occasions." --FaveCrafts
About the Author
MARLAINA "MARLY" BIRD balances her day between being a wife, mom, designer, creative director for Bijou Basin Ranch Yarns, hosting the Yarn Thing Podcast and the Marly Bird YouTube channel. You've seen her knit and crochet designs in Love of Knitting, Love of Crochet, Knitter's, Knit Simple, Interweave Crochet, Knitscene, Crochet! and Creative Knitting as well in collaboration in many knitting and crochet books.
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5 of 6 people found the following review helpful. Must have for all crochet libraries By Michele Byars This is an absolutely beautifully written crochet book full of cozy cold weather patterns. The afghans are stunning. The hats are adorable. The scarves and cowls are beautiful. Just a great book overall and a must have for your crochet library.
4 of 4 people found the following review helpful. Something for every budget! By Tammy Burke I love this book so many great ideas, from hats and mitts to afghans, all with a wide variety of yarns that range in price, making it a great resource for every budget:I posted a review on my blog: http://knittwhisperer.blogspot.com/2015/12/just-knitting-video-book-review-of-cold.html
4 of 4 people found the following review helpful. Beautiful book with great projects! By Melissa Cash This is a wonderful crochet book. The patterns are written well and the pictures are great. I am an intermediate crocheter and look forward to creating the projects in this book.
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2 of 2 people found the following review helpful. This book is absolutely perfect for anyone who is even slightly interested or intrigued ... By RiverMaya This book is absolutely perfect for anyone who is even slightly interested or intrigued to start a wonderful hobby as an amateur blacksmith. Your one stop guide for everything you need to know when interested in the ancient art of blacksmithing. Taking you from a great overview of blacksmithing with a little history, through setting up your own workshop, detailing what tools are required and even providing step by step projects that you can follow to produce your very own creations.
1 of 1 people found the following review helpful. STAY THE F%#$ AWAY FROM THIS PAMPHLET By Holli W. This "book" is god-awful and don't even listen to the 5 or 4 star ratings. This pamphlet is full of misspelled words and redundant sentences. One of the lines in the damn thing is "a lot of people don't realize this but fire is hot" and all it does is give a brief history that any doof could have learned on Wikipedia and tells you how to bend a metal rod. For $9 this is a scam and I advise ignoring it at all costs. I bought a pocket-sized version of the US Constitution from Amazon for $1 and it told me more about metalworking than this piece of garbage. If you want an actual book of literary merit and not something written by a caveman, I recommend "The Art of Blacksmithing" by Alex W. Bealer. I got it for $7 and it is very informative.
3 of 4 people found the following review helpful. including an explanation of tools like an anvil By FuchsiangPagIbig This book provides readers with a basic understanding of blacksmithing, including an explanation of tools like an anvil, an anvil stand, hammers, and tongs. Heating techniques like coal forging and fire tending are explained in detail, along with different types of metal like wrought iron, cast iron, and steel. Through instructions and illustrations, readers will learn to make simple tools and useful items, such as nails, hinges, and handles, and also an interesting mix of artful projects, such letter openers, door knockers and botanical ornaments. These expert blacksmithing lessons come to life with full-color photography to illustrate the steps and provide a better understanding of the text. With this book, beginning blacksmiths can learn to turn metal from its raw shape into something useful and beautiful to behold.
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Lady of Magick: A Noctis Magicae Novel, by Sylvia Izzo Hunter
Sylvia Izzo Hunter brought “both rural Brittany and an alternative Regency England to vivid life”* in The Midnight Queen, her debut novel of history, magic, and myth. Now, in her new Noctis Magicae novel, Sophie and Gray Marshall are ensnared in an arcane plot that threatens to undo them both. In her second year of studies at Merlin College, Oxford, Sophie Marshall is feeling alienated among fellow students who fail to welcome a woman to their ranks. So when her husband, Gray, is invited north as a visiting lecturer at the University in Din Edin, they leap at the chance. There, Sophie’s hunger for magical knowledge can finally be nourished. But soon, Sophie must put her newly learned skills to the test. Sophie returns home one day to find a note from Gray—he’s been summoned urgently to London. But when he doesn’t return, and none of her spells can find a trace of him, she realizes something sinister has befallen him. With the help of her sister, Joanna, she delves into Gray’s disappearance, and soon finds herself in a web of magick and intrigue that threatens not just Gray, but the entire kingdom.*National Bestselling Author Juliet Marillier
Lady of Magick: A Noctis Magicae Novel, by Sylvia Izzo HunterReview Praise for The Midnight Queen “The history of her world is not the usual stuff…inventive.”—Marie Brennan, Author of The Memoirs of Lady Trent “A stunning story of magic, scholarship, and true love. Elegantly written, fast-paced and highly original…A remarkably assured debut.”—Juliet Marillier, National Bestselling Author of Dreamer's Pool “Transported me back to those days when I discovered Anne McCaffrey, Robin McKinley, and…Tamora Pierce.”—TheBookPushers.com
About the Author Sylvia Izzo Hunter was born in Calgary, Alberta, but now lives in Toronto with her husband and daughter and their slightly out-of-control collections of books, comics, and DVDs. When not writing, she works in scholarly journal publishing, sings in two choirs, reads as much as possible, knits hats, and engages in experimental baking. Her favorite Doctor is Tom Baker, her favorite pasta shape is rotini, and her favorite Beethoven symphony is the Seventh. She is the author of The Midnight Queen.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter I: In Which Gray Receives an Invitation
Weaving her way slowly through the stacks of the Merlin Library with an armload of histories and grimoires, her chin resting on the dull-green leather of the topmost, Sophie Marshall smiled to herself. From one pocket of her black scholar’s gown trailed a long scrap of writing-paper, on which an equally long list of abbreviated notations—such as M. Domitianus on G.A., “Aves Tenebrae,” Trevelyan Hist. Mag. Brit.—had been neatly written, and tidily scored through; the pile of codices in her arms representing the morning’s final foray into the scrum of undergraduates revising for their Finals, she could now retreat to her carrel to pass the balance of the day in solitude and study.
As she passed a shelf of Roman histories, another black-gowned figure erupted from a gap in the stacks, its face invisible behind another tottering pile. Sophie checked her advance, but too late; a moment later two undergraduates and more than a score of books lay scattered in the narrow aisle.
“Oof!” said the young man cheerfully, picking himself up and beginning to sort through the litter of codices. “A hazardous business, this! Now, let us see: Mine are the Greeks, you know, and these therefore will be yours, I think—”
Peering short-sightedly at Sophie, he held out a battered copy of Trevelyan’s Historie of Magick in Britaine. He wore a vague, amiable smile to match his voice, but as her hand closed on the spine of the codex, their eyes met, and a masque of politeness descended over his face. “I beg your pardon, Your Royal Highness,” he said repressively. “I hope you have taken no hurt.”
Sophie’s answering smile faded into a sigh. “None whatever, I assure you,” she replied, and busied herself in collecting up her books.
She reached her carrel with no further contretemps, and finding it—thanks to her warding-spell—still blessedly undisturbed, attempted to lose herself in contrasting the varying accounts of the lives of several famous British mages. But the encounter had flustered and annoyed her, and she found herself dwelling on it far more than she knew it deserved.
How could she have been so foolish as to expect a welcome here? Beyond each summer’s brief visits by the families of Merlin men receiving their degrees, no woman’s foot before her own had ever trod the paths and lawns of Merlin College—and few were those, as she had since discovered, who wished it otherwise. Her own wilful blindness had led her here, her determination to judge the College by her husband and her tutor, Master Alcuin, who took her as she was; why had she not understood that it was not they but her stepfather, Professor Callender—with his nostrums about the dangers of advanced study to the delicate female mind—who exemplified the Merlin man? And her circumstances were not helped by the tendency of her fellow students to perceive the Princess Edith Augusta in place of Sophie Marshall.
And yet...
The lonely, isolated, often unhappy Sophie of a few years since, whose life was made bearable by her illicit forays into the Professor’s library, could have imagined no greater prize than this. After the astonishing revelation that Sophie was in truth the daughter of the King of Britain, her hasty marriage, and the chaotic night on which she and her friends had saved the King from his advisors’ plot to poison him, the promise of a place at Merlin had come, like a gift from the gods themselves, to save her from a life of useless idleness, isolation, and acrimony in the royal household, or of wandering penury with Gray. And for all the ceremonious politeness of her fellow undergraduates, the tongues stilled and faces averted at her approach, the glares, the naked resentment, she was more often happy here than she had been in her stepfather’s house—now Gray’s and hers, at least in name—in Breizh. Having once accustomed themselves to her, Gray’s friends treated her as one of themselves, no longer seeming conscious either of her sex or of her rank; the men of Breizh, with few exceptions, had made it a point to demonstrate their friendship. The rest resented her presence, but just often enough did they forget their hostility in the heat of debate that Sophie held out hope of a future thaw. And everywhere one went at Merlin, was there not some new discovery waiting to be made? If only there were fewer game-pits and cowpats along her path...
Sophie fetched a wistful sigh, twisted a curl of dark hair around one finger, and applied herself to the Aves Tenebrae.
At length she was recalled to the present by a soft tapping on the wall of her carrel. Turning in her seat and tilting back her head, she beheld her husband, looking slightly rumpled and bearing a covered basket.
“Have you time to spare for luncheon?” he inquired, depositing the basket and perching dangerously on one corner of the desk.
“It is not noon already?” said Sophie, startled.
Gray’s hazel eyes crinkled in silent laughter. “Indeed it is,” he said, “and high time you were dragged away from your books, evidently. Your hands are all over ink.”
Sophie examined her fingers. Then, casting an eye at her husband, she said, “Whereas yours, on the contrary...”
Gray looked down at his own hands, and registered the palimpsest of ink-stains—the fresher, darker blots overlaid on older ones half scrubbed away—with a rueful grimace.
Sophie grinned at him.
Then she pushed back her chair and allowed Gray to take her hands and pull her up out of it. “What have you got in that basket, then?”
“I have wheedled a picnic luncheon from Mrs. Haskell,” Gray explained happily, as he and Sophie emerged arm in arm into the Garden Quadrangle. “She is in one of her cheerful humours today, and allowed Nessa Strout to pack it up for me. Had you rather eat in the quad, or in the Fellows’ Garden?”
Sophie paused and began to look about them. Having thoughtlessly made the suggestion, Gray at once saw it had been a foolish one; there was scarce a foot of space not already occupied.
All about the grassy quad, undergraduates—and even a few Junior Fellows—basked in the hesitant March sunshine. A few made some pretence of studying, drowsing over a codex under a willow tree or reclining on the lawn amidst a litter of papers and books, but most were simply and unashamedly lolling about in various stages of undress, gowns and coats and even one or two neck-cloths abandoned in little heaps on the grass. The place was so still that the progress of any person across the quad was spectacle enough to draw the attention of the less somnolent, and wherever Gray looked, some curious eye returned his gaze.
One rather undersized first-year had gone so far as to open his shirt; he met Gray’s eye with happy equanimity, but a moment later, his glance alighting on Sophie, he flushed to the roots of his tow-coloured hair and scrambled to retrieve his discarded gown.
Discomfited, Gray looked away—directly into the face of a Junior Fellow who was eyeing Sophie with curling lip and supercilious eye. Under the massive oak-tree in the centre of the quad—the one which generations of matriculating students had believed to be planted by Merlin himself—a trio in commoners’ gowns had their heads together, muttering; a moment later the knot of black silk exploded in laughter like a murder of crows, and one by one they swooped down to make extravagant, mocking bows.
“Clear off, the lot of you!” Gray ordered. They scattered, obedient to his scowl and his Master’s robes but howling with derisive mirth.
Sophie stood motionless, all her attention apparently on the springing buds of the nearest tree, until the last of them had taken himself off; only the tightening of her fingers on Gray’s arm betrayed her. “The quad seems rather overpopulated,” she said then, in a calm and distant tone.
Outraged on Sophie’s behalf—and mortified at having thoughtlessly delivered her to such abuse—Gray drew her closer to his side, looking determinedly straight ahead as they resumed their interrupted journey.
The Fellows’ Garden was occupied only by the Regius Professor of Magickal History, sound asleep on a stone bench quilted by creeping thyme, with a fat codex splayed open upon his breast. It was not difficult to avoid waking him; the first anger over, they consumed Mrs. Strout’s cold collation almost in silence. When they had eaten all they could, and fed the rest to an intermittent procession of chipmunks and an elderly hedgehog, Gray said, “We need not stay here, cariad, if you are unhappy.”
Sophie did not look at him, but went on twisting a sprig of bee-balm between her fingers. “And where else should we go?” she inquired.
It was an old dispute, and he had not really expected her to yield, but it dismayed him to see all her lovely colours faded in dejection, that had bloomed so happily a few hours since. “I am not so very unhappy, Gray,” she continued. “Or, at any rate, I am as happy here as I should be anywhere else.”
When his sister Jenny had spoken these words to him, or something like them, on her wedding-day, Gray had wished for power to give her some better assurance of happiness, and hated his father for promising Jenny to a man she did not love. How young and foolish I was, to believe that where love leads, happiness must always follow!
“There is the house in Breizh,” he ventured, and was perversely cheered by Sophie’s answering flash of temper.
“I do not choose to be an object of pity to Lady Maëlle and Amelia,” she said tartly, “and I have not endured the disapproval of my fellow undergraduates for five terms, only to retire like a wounded fox when the sixth is scarcely begun.” Two years of her life, or nearly, devoted to this undertaking: not, Gray conceded, an effort to be lightly abandoned.
The Regius Professor of Magickal History stirred on his makeshift bed, gave a tremendous snore, and muttered, “Asparagus washtub!”—making Gray and Sophie start, and then snicker, until finally they were cramming their gown-sleeves into their mouths to muffle their laughter. Staggering a little, they packed away Mrs. Haskell’s picnic-cloth, china, and plate and left the Fellows’ Garden as quietly and quickly as they could.
“Do you see?” Sophie said, prodding Gray gently with her elbow, as they emerged at last, still chuckling, into the Front Quad. “Life is not so very grim. I beg you will not fret yourself so over my well-being; I am sure you have work enough without.”
Gray set down the basket and drew her into his arms. “You are my wife, cariad,” he reminded her; “I can hardly be expected to do less.”
She rose up on tiptoe, and her hand came up to rest against his cheek; the touch set the air about them humming softly, Sophie’s magick and his own in the strange communion that they no longer thought to question—from which Gray deduced that her feelings on the subject were more forceful than she wished him to see.
Temple bells began to toll the hour—two after noon—and for some time the air was filled with the plangent bell of the College’s shrine to Minerva.
“I have left the day’s revising half done,” Sophie said at last, drawing away from him with a fond smile, “and you have Bevan and Ransome at the third hour, have you not?”
She stood on tiptoe again and drew his head down for a fleeting kiss, and then she was striding away across the quad, her black gown billowing behind her.
Gray watched her go, troubled. She chose to come here, he reminded himself, and chooses to remain; neither I, nor her father, nor any mage living, could have kept her here, if she did not wish it.
But Sophie deserves a happy home, not merely one less miserable than her last.
“Magister,” said Ransome, “were you at Professor de Guivrée’s lecture yesterday afternoon?”
“I was not,” Gray said; and then, startled, he asked, “Were you?”
“Certainly!” Ransome’s air of affront—as though attending lectures had been a settled habit of his—was so comical that Gray had difficulty in suppressing a smile. “Bevan saw me—did not you see me, Bev?”
Bevan, a little grudgingly, admitted that he had.
Gray suspected a ploy to draw attention from the deeply inadequate essay Ransome had produced for this afternoon’s session. The boy had natural talent in plenty, but no patience whatever for his books; his parents had sent him to Merlin to read magickal theory rather for the prestige of the subject than because he had any real interest in it. Gray privately thought that he had much better have trained in some more practical branch of magick—alchymy or botany, perhaps—where his talent might have been a greater help to him, and his aversion to the library a lesser hindrance.
Ransome was thus equally an object of sympathy and exasperation to his tutor—often both simultaneously; today’s effort to summarise the theory of summoning-, finding-, and drawing-spells had been particularly exasperating, set beside Bevan’s careful and thorough synthesis. Knowing Ransome as Gray did, however, only made the digression more irresistible: What had made him choose that lecture, of the hundreds given in any College term, to grace with his presence?
“Well,” Gray said, therefore, “and what did you think of the lecture?”
Ransome’s guileless face screwed up in concentration. After a moment he ventured, “I thought...it seemed as though he had an axe to grind.”
“Yes,” said Bevan unexpectedly, “and I know why, too.”
“Do you?” Ransome looked impressed, and rather relieved. “Why?”
“There was a...an uproar at his lecture last term,” Bevan said. He cast a cautious glance at Gray, who knew very well what he meant but did not like to curtail this rare manifestation of scholarly discussion between his students. “Old—er, that is, the learned professor had described his study of temples to Neptune and Ceres in Petite-Bretagne—your pardon: Breizh, I mean—and said that the introduction of altars to local gods has rendered many of them inefficacious as offering-places. He did not go quite so far as to call the local gods mere superstition, but—”
If Guivrée had stopped short of asserting that the ancient gods of Britain’s provinces were not fit to lick the metaphorical boots of the gods of Rome, Gray suspected, it was only because he chose not to set that particular cat amongst a set of pigeons so many of whom were Breizhek, Cymric, or Kernowek born and bred—not because he did not himself believe it true.
“There was a great deal of muttering,” Bevan went on, “but the only student who dared put a question at the end of the lecture was Soph—was Mrs. Marshall,” he corrected himself, colouring a little at Gray’s silently raised eyebrow, “and it was a very good question, too, to which he had not a good answer. He began to bluster about women’s fancies, instead, and there was nearly a brawl between his supporters and—”
“A brawl?” Ransome exclaimed. “And I missed it?”
Gray contrived to keep his countenance by carefully not looking at Bevan.
“Well, this time,” said Ransome, in a rather disgruntled tone, “his lecture was nothing but a dispute with a book by a Fellow at the University in Din Edin, which I daresay no one else present had read—”
“I have read it, at any rate,” said Bevan irritably. “It is a treatise on the theory of zoomorphic shape-shifting,” he explained, aside to Gray; “you know, sir, that I am particularly interested in—”
“Yes, yes, Bev, all of Merlin knows it,” Ransome interrupted, rolling his eyes.
No observer of this conversation, Gray reflected, could have guessed that last term Ransome had blacked the eye and bloodied the nose of a second-year student who had mocked Bevan’s patched boots, or that what progress Ransome had made in Old Cymric was due almost entirely to Bevan’s patient tutelage.
“But you see, Magister, he insisted—Professor de Guivrée did, I mean—that the author is quite wrong about things; I am not perfectly sure what things,” Ransome confessed cheerfully, “but it seemed to be all of them. It all sounded reasonable enough to me at first, but then he said a perfectly absurd thing, and that is what I wanted to ask you about, sir.”
He shook his flaxen hair off his face and sat back in his chair, looking expectantly at Gray. Beside him, Bevan closed his eyes briefly and put a hand to his brow as though his head ached.
“And,” said Gray, after a moment, “what, Ransome, was the perfectly absurd thing?”
“Oh!” Ransome flushed a little. Then he sat up straight, folded his face up into a scowl, hooked one thumb into his waistcoat pocket, and produced a startlingly accurate approximation of Professor de Guivrée: “‘It should surprise no one, however, to find such entirely wrongheaded ideas propounded by one who freely confesses to collaborating with...females.’ I mean to say, Magister...!”
Gray smiled at him. “I do believe the tone of your mind improves, Ransome,” he said. Ransome, he now recalled, had mentioned a large number of very clever sisters at home in Cirenceaster; perhaps they had had more influence on him than he allowed.
Din Edin. Collaborating with females. That sounds very much like someone I know...
“Bevan,” said Gray, “what was the name of this shockingly broad-minded scholar? I believe I may be acquainted with him.”
On the morning of the first of June, having sat up very late with her books the previous evening, Sophie awoke much later than was her custom, and was in danger of entirely missing a lecture which she very much wanted to attend. She was hurrying out the door when her attention was caught by the stack of letters which she had brought up the previous afternoon, and which had lain all night forgotten on the rather unfortunate hatstand; and she paused, one hand still ungloved, to riffle through them. One directed to herself, in her sister Joanna’s hand, she tucked into her reticule for later perusal. The rest were all directed to Gray, but only one (which looked rather the worse for its journey from Alba) seemed likely to be of immediate interest.
Gray himself emerged from the bedroom in his dressing-gown, yawning, as Sophie was pulling on her other glove. “Where are you off to so early?” he inquired.
“You remember,” said Sophie; “Doctor Richardson, from Marlowe, is giving a lecture today—with illustrations—on his travels in Egypt.” She made a grab for the letters and handed them up to him. “Look! There is a letter from your correspondent in Din Edin!”
Gray took the letters and frowned at them, in the manner of a man who has not yet eaten his breakfast.
“I overslept, and had not time to make tea,” Sophie said, “but the kettle is on the hob—I must go, love, for I shall be late if I do not leave this moment.”
Standing on tiptoe, with a hand on each of Gray’s shoulders, she hastily kissed him, then darted out the door and down the stairs.
“You will never guess what was in that letter from Din Edin,” said Gray, when they sat down to their rather spartan dinner that afternoon. He retrieved the letter from the pocket of his coat, together with a broken pen, two silver coins, a scrap of writing-paper scribbled all over with magickal formulae, and an owl’s tail feather.
“A translation of that very puzzling account of the Battle of the Antonine Wall?” Sophie hazarded, inhaling soup and exhaling suggestions, Joanna-like. “An antidote for wolfsbane poisoning? Another list of books which you must send northward at once, with all possible speed?”
“I said you would never guess,” said Gray, laughing. “No; it is an invitation from Rory MacCrimmon, on behalf of the School of Practical Magick at the University, to lecture there all next year on the practice of shape-shifting.”
Sophie put down her spoon with a clatter, looking satisfyingly gobsmacked. “An invitation . . . an invitation to you?” Then it seemed to occur to her that her astonishment might be taken amiss, and a becoming pink flared in her cheeks. “That is—”
Gray grinned at her. “I can scarcely credit it, either,” he said, which was entirely true: He had hinted very hard over the course of several months, but until now he had not thought he should succeed in his object. “But it is so, indeed. And look!”
He passed the letter to her, pointing out the second paragraph on the second page, and watched happily as she read:
As you have mentioned your wife’s interest in magickal study, I wish to assure you both that she is of course welcome, should she wish it, as a student either in my own School or in the School of Theoretical Magick, whichever may be the most suitable...
Sophie, round-eyed, put the letter down very nearly in her soup-plate, from which Gray rescued it with the ease of long habit.
“And it is true that there are other women at the University?” she demanded.
Gray nodded. “Several hundred of the undergraduates are women, MacCrimmon says. He seemed surprised at my asking, though I had told him of the dispute regarding female scholars when Bevan and Ransome first brought it to my attention. You should be entirely unremarkable there, I daresay.”
“You intend to accept his invitation, I hope?”
“I should very much like to do so, yes,” said Gray. “Of course there will be all manner of administrative and political details to sort out, but if the notion pleases you—”
But as Sophie was not much interested in administrative or political details, Gray was spared the danger of revealing that one of them consisted in securing her father’s permission to undertake the journey, and another in arranging conveyance and accommodations for some at least of the quartet of Royal Guardsmen (two posing as undergraduates, one as a journeyman baker, and the fourth as a banker’s clerk) presently responsible to His Majesty for Sophie’s safety.
Sophie looked almost dangerously gleeful. “I should like it of all things,” she said.
Most helpful customer reviews
3 of 3 people found the following review helpful. One for My Keeper Shelves By K. M. Martin This second book in the Noctis Magicae series was as wonderful as the first. Sophie Marshall is a second year student at Merlin College and married to Gray who is a lecturer there. While she very much enjoys the chance to learn about magick, she does not enjoy the prejudice and attention that is paid to her as one of the few female students and the long lost daughter of the King.When Gray is offered a position as a visiting lecturer at the University in Din Edin in the country of Alba and Sophie offered a position as a student there, they are eager to accept. However, Alba and Britain are separate countries and relations between them are somewhat tense. Sophie loves the university and is glad to meet and make friends with other female scholars. But the political situation isn't good. The land is suffering from some ills - crop failures and illness in some animal herds - and magickal interference is being blamed.Tensions escalate when it is learned that the next Chieftain of the clans, Lucia MacNeill a fellow student of Sophie's, has become betrothed to Roland, Sophie's half brother and second in line to the throne in Britain, there are protests that threaten to grow into riots. The political factions that see this as Britain's attempt to conquer Alba are very unhappy.Meanwhile, Joanna who is Sophie's sister is busy in London learning diplomacy from her guardian Sieur Germain de Kergabet who is an adviser to King Henry and Lord President of His Majesty's Privy Council. Joanna is on the inside knowing about the marriage plans of Roland, who has a monster crush on her, and Lucia MacNeill. Joanna is also planning a visit north to visit her sister and Gray.Shortly before Joanna's arrival, Gray is kidnapped though, at first, it is assumed that he has been called home because of his father's illness. Time is lost because of the need to give him time to travel from Alba to the south of Britain but when a second letter is received, Sophie knows that something is very wrong. She learns that other foreign mages have also disappeared. She is determined to find her husband. In fact, she must find her husband because the longer he is away from her the more sick she becomes. Their marriage had linked their magick together. If she can't find him, they will both die.This was a wonderful story. The world building was amazing. I loved the combination of magick and political intrigue. I also loved the growing relationship between Gray and Sophie as they adjust to being married. Sophie is a wonderful character who has immense magickal talent but no desire to use it for political gain.This book will be going on my Keeper Shelf along with the first book in the series - THE MIDNIGHT QUEEN.
2 of 2 people found the following review helpful. 2nd Book Great as the 1st By Anne Burner Two years after the events of THE MIDNIGHT QUEEN, Sophie and Gray Marshall are living and working at Merlin College in Oxford. As the long-lost Princess Royal, Sophie finds her new status chafing, but makes slow headway at being accepted as a "normal" student. Gray receives an invitation to teach a course on shape-shifting in Alba, and the make the transfer north.They settle in, with Sophie still hiding her new, uncomfortable rank, but eventually feels secure enough to allow some people to know the truth. As time passes, and the famine in Alba spreads, things become dark and troubling. As Joanna makes plans to make the trek north to visit, bringing her newfound friend Gwendolyn Pryce, Sophie considers telling her to remain in London for her own safety: darkness rides the land and foreign mages are going missing.This is a fantastic read. If you loved the first book in the series, do not pass this one up. If you haven't read THE MIDNIGHT QUEEN yet, run out and get it so you can go straight into LADY OF MAGICK without missing a beat.
1 of 1 people found the following review helpful. Good follow up to The Midnight Queen By Marmalade Girl Fans of fantasy and romance need look no further than Sylvia Izzo Hunter's LADY OF MAGICK for an entertaining read full of royal intrigue, daringly disobedient young ladies, and regional politics. When her husband Gray is invited to a foreign university as a guest lecturer, twenty-year-old Sophie Marshall (the recently reinstated "Lost" Princess Royal of England, Edith Augusta) rejoices, having heard that unlike Merlin, her current Oxford college, the Alban magic schools treat women no differently than men in terms of what they are allowed and expected to do. Tensions between Alba and England are at a low boil, but eventually she and Gray are granted leave to go abroad. At least she can rely on her wits and magick (and a pair of her father's undercover agents) to keep her royal identity relatively under wraps.When an alliance is announced between their heir and an English prince, the news kicks off protests and unrest in Alba. Determined to stick it out to the end of the school year at least, Sophie relies on new friends to help her and Gray stay safe while continuing their teaching and studies. Meanwhile in London, Joanna, as an aide to Gray's brother-in-law Lord Kergabet, tries to juggle discretion in her work with the desire to keep her sister safely informed of problems looming on the horizon. Things take a turn for the worse when Gray is kidnapped, and a conspiracy starts to emerge signaling that mounting political pressures are about to erupt.I adore the relationship between Sophie and Gray, as for all their newly-weddedness, they're rarely precious. They have interests and friends besides each other, but manage to balance those priorities with more pressing matters, like, say, the fate of several kingdoms. Those looking for clean-ish reads will appreciate Hunter's fade-to-black approach to love scenes. (And may I remind you that they're husband and wife?) That said, the novel isn't solely focused on heterosexual relationships, but introduces platonic and homosexual ones as well, however some of the latter may as yet be unexplored. I suspect we'll find out more about it in the next book (I sure hope there's a next book!)Some readers may find the wordiness tedious, but those who find the rather rambling and inverted syntax of Austenian dialogue charming will find it likewise in Lady of Magick. Those hoping for greater mystery or suspense element will likely be disappointed to figure out the plot early on, while Sophie struggles with decisions over whom to trust, the answers may already be fairly transparent to the reader. I myself may have to re-read the second-to-last 30 pages or so as I sped through them, trying to see if I was correct in my deductions (I was).Hunter manages to take a fairly frivolous first impression (young marrieds study magic abroad) and turn it into a thoughtful, brilliant tapestry, adding depth and a layer of seriousness to what could have been a purely escapist yarn. The author also does a credible job of weaving the intricate threads of world-building and characterization to produce a substantial, yet still thoroughly diverting tale of drawing rooms, state lines, family ties, and ancient power.
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