Heroine Addiction, by Jennifer Matarese
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Heroine Addiction, by Jennifer Matarese
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Vera Noble belongs to a long line of famous superheroes, but she's done quite enough lifesaving in her time. Now, she's perfectly happy to serve pie and coffee in her small-town cafe, far away from the bright explosions and enormous radiation-spawned monsters of the big city. However, no life ever stays safe and quiet forever, and one simple request from her family's former mortal enemy upends Vera's semi-average existence.
Heroine Addiction, by Jennifer Matarese- Amazon Sales Rank: #993130 in eBooks
- Published on: 2015-11-06
- Released on: 2015-11-06
- Format: Kindle eBook
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10 of 10 people found the following review helpful. Superhero + noir + family drama = remarkably addictive read By Lawrence Chu The story begins with a meeting between a dame and a retired man, and what looks like a simple "favor" uncovering something much, much bigger: a staple of dime-store detective novels. Of course, in this case, the "dame" is Vera Noble, superheroine and current coffee-shop owner, and the man a retired supervillain who has made the Vera's life significantly more complicated than your typical hero/villain archetypes usually allow for. Thus begins Heroine Addiction, which manages to take staples of assorted genres and blend them successfully into something significantly more unique than its ingredients.Heroine Addiction is basically what happens if you give a postmodern feminist the Incredibles' universe and a film noir plot to play with and tell them to go to town. The nameless settings in which the story takes place (both a bustling metropolis filled with tabloid and beat reporters and a quieter, more remote city) is examined as a culture where superheroes and supervillains are the norm, and treated as funny-paper material the way celebrity stories are. It features a plot involving murder, arson, robot invasions, and the ruler of an alien planet. And yet, because this story is told from Vera's perspective (aren't all good noir plots told from the protagonist's perspective?), all this insanity is peripheral (to be fair, it's a sizable periphery) to an examination of relationships between friends, family, exes, crushes, co-workers both current and former; how some of these relationships can be strengthened, occasionally at the expense of other relationships; and how they all interact with one another. Jennifer Matarese more than competently weaves all this together into a compelling narrative, so that both the personal and public stakes are on your mind during a zombie uprising, particularly when some of the bodies involved are a little too familiar. (I'm pretty sure it's not anything like you're imagining it is.)You know a story is awesome when neither a robot invasion nor a zombie uprising is the climax of the story, but rather obstacles (and setpieces) to overcome on the way to a climax.Having just finished reading the book for the first time, I feel like an encore reading is in the cards in the near future, and I do hope that Ms. Matarese allows us another glimpse into this universe somewhere down the line.
7 of 7 people found the following review helpful. Enjoyable debut from a long time blogger fave By Tracy Rowan Jennifer Matarese is a funny, creative writer on a day-to-day level. Her sense of humor is sharp and her worldview is what might be called "mordant" at the best of times. It's no surprise, then, that she's written a novel that is darkly funny and often a bit uncomfortable.Vera Noble, a recovering superhero, is the daughter of two still-active superheroes who are arguably among the most famous in a world that apparently teems with people who have super powers and use them for good or evil. But Vera doesn't like the superhero game and gave it up years earlier. About the same time her father ran off with his arch nemesis. The family has kept Everett Noble's affair a secret, which is nothing short of a miracle for a group of people who are so completely dysfunctional that they find it difficult even to have a civilized conversation with each other. Vera doesn't even live in the same city as the rest of her family, but is hiding out in a small town where she runs a cafe called "Tea and Strumpets."Vera, bless her, is a plus size, bisexual smart-ass. When her father's lover comes to the cafe, her instinct is to spit in his tea. But one day he comes in to tell her that Everett has gone missing, and against all her instincts and wishes, Vera is drawn back into the superhero business and into her own family business. She may not want anything to do with them, but she needs to find her father, the only member of her family for whom she seems to feel anything warmer than a constant, low-level annoyance.There are a couple of issues that keep this novel from being a real five-star read. One is that Matarese paints many of the characters with too narrow a brush. We have a good idea of what Vera looks like, what her ex-lover, Hazel looks like, and a few other people, but many of the others lack enough definition to allow the reader to form a mental image of them. I've been criticized for the same thing, so when I see it in someone else's work it leaps out at me.Another problematic point, for me at least, is the death of a character at the close of the book. I can't say too much without spoiling the event, but it felt contrived to me, as if someone had to die, and this person had been set up to be the sacrifice.Still, for a first novel, "Heroine Addiction" is impressive, and I look forward to reading more of Matarese's work in the future.
4 of 4 people found the following review helpful. An interesting if morally compromised effort By Ian Miller Perhaps it's just that my tolerance for immature heros has been used up recently, but the first person perspective of this work didn't allow any escape from the constant hypocrisy and moral compromise of the protagonist. Though often likeable and fairly well sketched, there just isn't enough moral fiber outside of a standard, liberal political/moral sense that people shouldn't be forced to fit in to jobs which benefit society and they should be free to follow their private desires even when it hurts their family and friends.Now, I freely admit that my own political/moral framework causes difficulties when it comes to this kind of story. Any kind of endorsement of infidelity tends to trigger instant caution, if not outright dislike. Add to that my oversaturation with the type of sassy, rebellious main character - Seanan McGuire's George from the Newsflesh trilogy, Robin McKinley's eponymous Sunshine, and several others. Though the gender issues are a factor, I would also add McKinley's Dragonhaven hero to the list - sharing an extreme amount of self-righteousness underneath a nearly impenetrable shell of victimization. Have all these characters suffered, and deserve our compassion and sympathy? Yes - but I don't enjoy the way they authors continue to not call them on their compromises and self-congratulatory moral stances while they inflict injury and judgment on those around them.That being said, there's a lot to enjoy about "Heroine Addiction." In addition to the engaging writing, the plot is enjoyably intriguing, without too many twists and turns. The worldbuilding - similar to that of Michael Stackpole's "In Hero Years...I'm Dead" and Marion Harmon's "Wearing the Cape" - is very fun, especially to superhero fans like myself.A minor but repeated issue was the proofreading/typesetting - most (but not all) of the words containing double "L"s were split and missing one of those letters. Extremely distracting after the hundredth time. Perhaps a quick resetting of the text in any future editions might help?In conclusion, a decent read, with some issues that kept me from completely enjoying it.
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