The Great Swindle, by Pierre Lemaitre
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The Great Swindle, by Pierre Lemaitre
Best Ebook The Great Swindle, by Pierre Lemaitre
The year is 1918, the war on the Western Front all but over. An ambitious officer, Lieutenant Henry D'Aulnay-Pradelle, sends two soldiers over the top and then surreptitiously shoots them in the back to incite his men to attack the German lines. When another of D'Aulnay-Pradelle's soldiers, Albert Maillard, reaches the bodies and discovers how they died, the lieutenant shoves him into a shell hole to silence him. Albert is rescued by fellow soldier, the artist Edouard Péricourt, who takes a bullet in the face. The war ends and both men recover, but Edouard is permanently disfigured, and fakes his death to prevent his family from seeing him as a cripple. In gratitude for Edouard's rescue, Albert becomes the injured man's companion and caregiver. Finding that the postwar gratitude for the soldiers' service is nothing more than lip-service to an empty idea, the two men scramble to survive, ultimately devising a scam to take money for never-to-be-built war memorials from small towns. Meanwhile, Lieutenant Pradelle has married Edouard's sister Madeline and is running a scam of his own that involves the exhumation of war victims. In this sorrowful, heart-searching novel, the interwoven lives of these three men create a tapestry of the human condition as seen through the lens of war, revealing brutality and compassion, heroism and cowardice, in equal measure.
The Great Swindle, by Pierre Lemaitre- Amazon Sales Rank: #278713 in Books
- Published on: 2015-09-22
- Released on: 2015-09-22
- Original language: English
- Number of items: 1
- Dimensions: 9.38" h x 1.50" w x 6.38" l, .0 pounds
- Binding: Hardcover
- 442 pages
Review "Mr. Lemaitre's background in crime fiction shows through in the intricate plotting and suspenseful pacing of The Great Swindle, which at times reads like a thriller. Its characters harbor so many secrets that part of the enjoyment in the book comes from seeing how the author plans to disentangle them."―Sarah Lyall, The New York Times"Lemaitre's tale is carefully researched, and most of the story's value lies in its historical authenticity....the battlefield and hospital scenes convey Lemaitre's mastery of imagery."―Kirkus Reviews"[An] assured, somber exploration of post-WWI French society...Lemaitre captures the venal capitalism of the postwar period...Despite his unscrupulous scheme, Édouard proves impossible to dislike. His determination to play a great trick on the society that betrayed him is infectious, and readers cannot help rooting for his plans as they reach their dark, bizarrely joyous fruition."―Publishers Weekly"A fast-paced tale, filled with twists and turns, following a mischievous, disillusioned view of post-war France."―Astrid de Larminat, Figaro"A masterly epic of post-war France, where impostures triumph and capitalists grow rich from the ruins."―Macha Séry, Le Monde"You feel the author's indignation . . . Who really profits from war? Crooks, the vengeful, and frauds. The Great Swindle is political as much as it is picaresque."―Christine Ferniot, Telerama"A dark, burning requiem delivered in glorious prose that is as tough and effective as a punch in the face . . . It will leave you stunned."―François Busnel, Express"Its themes connect elegantly with its action . . . a striking critique of a grieving nation's desire to prettify its past."―Times Literary Supplement"Pierre Lemaitre breaks the elitist mould with passion, clarity, and originality . . . moving, angry, intelligent--and compelling."―Marcel Berlins, The Times"You'll be horrified and angered, yet often amused at this clever look at war's aftermath."―Weekend Sport
About the Author Pierre Lemaitre was born in Paris in 1956. He worked for many years as a teacher of literature and now devotes his time to writing novels and screenplays. In 2013 he was awarded the Prix Goncourt, France's most prestigious literary award, for Au Revoir Là-Haut. Frank Wynne is a translator from French and Spanish. His translations include works by Michel Houellebecq, Marcelo Figueras's IFFP-shortlisted Kamchatka, and the Commandant Camille Verhoeven trilogy (Alex, Irène, and Camille), by Pierre Lemaitre.
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7 of 7 people found the following review helpful. Visceral, Essential Portrait of Life During and After Wartime By Benjamin Mott This terrific book takes a riveting, page-turning look not at life during wartime so much as at life immediately after wartime--as seen through the eyes of three veterans returned from the battlefield. I saw Lemaitre while he was in New York City a couple weeks back, in conversation with Phil Klay, author of the excellent short story collection REDEPLOYMENT. At first it seemed like a strange pairing, but it quickly became clear how these two books are linked--both of them permit the reader to see just how difficult it is to return from war, to leave behind the structured routine of military life, and to face the crushing indifference of the civilian population to the veteran's inner struggles. They may have survived mortar attacks, missile bombardments, guerrilla engagements, chemical warfare, etc., but veterans' most difficult struggles often develop as they try to re-enter civilian life. In this book, the choices the three main characters make are at times difficult, even immoral, but it is nearly impossible to sit in judgment when the life they returned to proved to be such hostile territory. This is essential reading for any civilian population of a country at war--like our own, for example.
2 of 3 people found the following review helpful. Inventive, Ingenious, Irrepressible and any other compliments beginning with the letter ‘I’ - this is an outstanding novel By Tommy Dooley In the dying days of World War I an ambitious and ruthless Lieutenant d’Aulnay Pradelle orchestrates one last – and pointless- attack on German lines. In doing this he commits the worst of crimes. His crime is discovered by two soldiers, but this causes events to take an unexpected twist. The two soldiers will have their lives changed forever and also have their fates tied to the coat tails of the very ‘bad lieutenant’.These two are the low born Albert Maillard and the moneyed- if troubled- Edouard Pericourt. The fututre for both men seems less than bleak – but to say more would ruin the plot. Lieutenant d’Aulnay Pradelle gets his promotion but faced with a falling down country pile he decides to do a little gold digging for himself, after all why should war profiteers have all the fun? This means he embarks upon a course of action that will too bring changes to many.Now this is a beautifully written book – translated from the French by Frank Wyne – and hats off to him for such a good job. There is also a glossary at the back as some of the references do not translate very well especially social references. It was the winner of The Prix Goncourt, and deservedly so. This is one of those books that mages to paint pictures with words and as such is exactly the sort I appreciate. It is around 450 pages but none of them are wasted with padding and it is one of those books I found hard to stop reading. Completely and utterly recommended.
4 of 4 people found the following review helpful. Dull, unconvincing (and poorly translated, too) By Sid Nuncius I really didn't get on with this book. I tried it because I read Alex a while ago and thought it a decent thriller. This was a very severe disappointment.The story begins close to the end of the First World War in 1918 in the French lines where a frankly pantomimic villain tries to kills two of the soldiers under his command. The subsequent plot involves their entangled subsequent activities in conflicting scams in the years immediately after the war…and I'm afraid I thought the whole thing was dismally poor.Part of the problem is in the wholly unconvincing characterisation, which seemed to me to be clunky and clichéd, and in the period setting which is incredibly laboured but again failed to convince or involve me at all. The style is plodding, and having characters say things like "The guy is overwrought," or "Is there a problem?" made it seem utterly unlike 1918. And, oh dear - it does go on. And on and on. It takes ages for anything to happen as we're dragged through seemingly unending descriptions of things and events which don't convince.Some of this is due to the translation, which I think is verging on the insultingly bad. It is larded with cliché and stale usages; the second paragraph of the book begins, "He knew all too well…" which made my heart sink, and a couple of pages later in a just a single paragraph we get "his parlous situation", "legend had it", "the inexorable decline", and "rested squarely on his shoulders." The whole book is like this and stale, amateurish stuff like this simply isn't good enough from a professional translator - or a respectable publisher, for that matter. Tenses slip confusingly and randomly from present to past, the tone is inappropriately arch or ironic in places…I could go on, but that will do. It is rare for me to give up on a book, but after diligently slogging through the first 120 pages I decided that life was too short and just skimmed and sampled the rest. It didn't get better – and I grasped the story without having to wade through the prose, which was a blessing.I'm sorry to be so critical, but I really thought this was a poor book. I have given it two stars, but only because it wasn't quite bad enough to made me actively angry (unlike Alex Grecian's The Yard, for example – but it's best not to get me started on that one) but I wouldn't recommend this at all.
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