The Long Home, by William Gay
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The Long Home, by William Gay
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In a literary voice that is both original and powerfully unsettling, William Gay tells the story of Nathan Winer, a young and headstrong Tennessee carpenter who lost his father years ago to a human evil that is greater and closer at hand than any the boy can imagine - until he learns of it first-hand. Gay's remarkable debut novel, The Long Home, is also the story of Amber Rose, a beautiful young woman forced to live beneath that evil who recognizes even as a child that Nathan is her first and last chance at escape. And it is the story of William Tell Oliver, a solitary old man who watches the growing evil from the dark woods and adds to his own weathered guilt by failing to do anything about it.Set in rural Tennessee in the 1940s, The Long Home will bring to mind once again the greatest Southern novelists and will haunt the reader with its sense of solitude , longing, and the deliverance that is always just out of reach.
The Long Home, by William Gay- Amazon Sales Rank: #303454 in Books
- Brand: Gay, William
- Published on: 2015-09-15
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x .70" w x 5.40" l, .0 pounds
- Binding: Paperback
- 254 pages
Amazon.com Review In Willam Gay's debut novel, The Long Home, the devil comes to Tennessee in the form of one Dallas Hardin, a vile and violent man who brings tragedy in his wake. Set in the backwoods South of the 1940s, Gay's tale is populated with a colorful array of types familiar to readers of William Faulkner, Cormac McCarthy, and other practitioners of that particular brand of larger-than-life literature that seems to thrive south of the Mason-Dixon Line. Though the types might be familiar, Gay does an impressive job of making them his own, each with his or her distinctive, fully human qualities that transcend the roles they play as bootlegger, town drunk, or even hero.
The story opens when Dallas Hardin ("Old Nick," according to one character--"or whatever he's goin' by now") comes to town and wrests away home, wife, and whiskey still from the seriously ill Thomas Hovington. Only in a Southern novel could such an event be preceded by the inexplicable opening of a brimstone-scented pit near the victim's house without the reader even blinking an eye. Enter young Nathan Winer, hired by Hardin to build a honky-tonk. Winer starts out thinking he can earn his wage while steering clear of his employer's evil ways, but it soon becomes apparent that he can't--especially after he falls in love with Tom Hovington's daughter, now Hardin's stepdaughter, Amber Rose. Having given his heart, Nathan has taken the first inexorable step towards a final, deadly confrontation with the devil.
If Gay's themes are big--nothing less than the battle between good and evil--and his metaphors drawn unabashedly from that old-time religion, his novel is nonetheless firmly grounded in the flesh-and-bone world--sometimes nightmarishly so. There is a lot of blood spilt over the course of this novel, in myriad ways and in graphic detail. Indeed, one quality that The Long Home shares with most of Cormac McCarthy's work is that it is definitely not for the faint-hearted. But Gay balances the horror with moments of true beauty, and his novel is undeniably compelling. Enjoy it for its many strengths and for its promise of a bright literary future --Sheila Bright
From Publishers Weekly Gay's debut, an ambitious saga of love and retribution set in backwoods Georgia in the 1950s, is by turns quaint and chargedAand sometimes both. The novel begins with the 1932 murder of Nathan Winer, an honest and virtuous laborer, by Dallas Hardin, a corrupt small-town tycoon, after Winer demands that Hardin move his illegal whiskey still off Winer's land. Hardin gradually gains control of his community through extortion, bribery and psychological manipulation. When the dead man's son, also Nathan, unwittingly becomes a carpenter for his father's murderer many years afterwards, he finds his life bound with Hardin's as he falls in love with seductive beauty Amber Rose, frequently used by Hardin as an escort for his rich acquaintances. Ancient sage and recluse William Tell Oliver, who witnessed the elder Nathan's death and has the victim's skull to prove it, steps in to rectify old wrongs when Hardin threatens to kill the young Winer to maintain control over Amber Rose. A haze of mystery hangs over the narrative: voices whisper and strange lights shine from deep within swampy forests, testifying to the presence of a force more powerful than any petty human tyrant. Strange characters inhabit Gay's world, too, like a boy who thinks baby pigs come from underground or a traveling salesman who brags about his largesse but lives off of Winer's mother. Though his dialogue may sometimes be too twangy, Gay writes well-crafted prose that unfolds toward necessary (if occasionally unexpected) conclusions. Enhanced by his feeling for country rhythms and a pervasive, biblical sense of justice, Gay's take on the Southern morality tale is skillfully achieved, if familiar in its scope. Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews A moody first novel is offered as its gifted author's claim to the regional-metaphysical mantle currently worn by Cormac McCarthythough, in fact, it reveals the overpowering influence of Faulkner, particularly of the ``Spotted Horses'' chapter in The Hamlet. A terse Prologue recounts the murder in 1932 of tenant farmer Nathan Winer by itinerant thug Dallas Hardin, following an argument over a whiskey still. Then, 11 years later, in the dilapidated backwoods hamlet of Mormon Springs, Tennessee, an increasingly bleak drama is played out among the avaricious Hardin (now a prosperous landowner and small-time entrepreneur); Winer's teenaged son and namesake; a reclusive old man named William Tell Oliver (who harbors his own guilty secrets); and a beautiful girl, Amber Rose, whom Hardin threatens to add to his ill-gotten holdings. The storytold in clipped, often enigmatic parallel scenesemphasizes Oliver's crafty momentum toward redemption, Nathan's thwarted love for Amber Rose and dogged pursuit of vengeance, and the overreaching that brings their tormentor Hardin to a kind of justice. The Long Home (the phrase is an indigenous metaphor for death) contains several memorable scenes and striking characterizations (both Nathan's dysfunctional comrade ``Motormouth'' Hodges and ex-football hero and town drunk ``Buttcut'' Chessor are amusing troublemakers). But the novel drowns in its own rhetoric, with risible abstractions (``she shrieked at the immutability of his back'') and pretentiously grotesque, and inexact, scene-setting (``The bare branches of the apple trees writhed like trees from a province in dementia''). Gay has read Faulkner with reverence (Dallas Hardin is a copy of the master's immortal, insatiable carpetbagger Flem Snopes), and imitated him without a sense of when to stopor much wit. When it emerges from the fog of verbiage, Gay's debut tells a gripping and intermittently haunting story. If he ever decides to write his own novel, it may be a good one. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
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27 of 28 people found the following review helpful. THERE'S SHOT WHISKEY, AND THERE'S SIPPIN' WHISKEY... By Larry L. Looney Shot whiskey is the type that so strong and just plain nasty that throwing it down your throat in a (hopefully) single swallow is the only way to imbibe it and survive. Sippin' whiskey, on the other hand, while still packing a punch, is more artfully crafted, with all sorts of artful nuances there to savor - you want to take your time with it, so you can more fully appreciate the care with which it was made. William Gay's prose is sippin' whiskey - there's a strength within that will leave you reeling, but there are so many subtleties to be found as well.His characters are vivid and believable, and he brings them to life slowly, rather than burying the reader in a swamp of description. We get to know them as we would a person in our day-to-day lives, through their actions, conversations, and what thoughts they might care to share with us - it's an experience that makes reading this novel all the more precious and amazing. The descriptions that occur within these pages are subtle as well - his vocabulary is astonishing, and when he can't find a suitable word already in general usage, he constructs one (always to good advantage). Time after time, reading this incredible novel, I found myself going over a passage again and again, to make sure that I wasn't imagining the creative powers at work here.Gay's literary gifts are amazing - but he never uses them in such a way as to overpower his characters. The novel is set in rural Tennessee in the 1940s - and that time and place is firmly established within the first few pages. I felt transported as I read it. Gay lives in Hohenwald, Tennessee - and his knowledge of the area and the people, and his obvious empathy toward them, give his fiction a sense of reality that is both gentle and ferocious.Dirt farmers, laborers, bootleggers, lawmen (both honest and crooked), women and men old before their time, young people aching for something - anything - more than what they see around them, what they see as their future if they remain where they are. The story here is basically an old one - that of an evil presence in the midst of normalcy, ignored or tolerated by most of the citizens in the area, that slowly establishes itself as a power not to be questioned without dire retribution. What's the old saying? `Absolute power corrupts absolutely' - the mighty tend to fall mighty hard, and they seldom see it coming. The evil character in this novel - one Dallas Hardin, bootlegger, honkytonk operator, would-be pimp and many more unsavory occupations - is one of the most memorable baddies I've come across in some time. The evil within him is made palpable - you can feel it in the air, it will make your skin crawl - by William Gay's skill.I've already started reading his second novel, and I've got my eye on his collected short stories as well. Gay's work was recommended to me by another author - and it's a recommendation for which I'll be grateful for a long, long time. This is high magick.
16 of 16 people found the following review helpful. I Look Forward To The Next By taking a rest When an Author can open a work with massive explosions from deep within the Earth that leave behind a gaping black pit that smells of brimstone, and not make the portrayal absurd, it is a reasonable presumption that you have the work of great storyteller in your hands. And this is certainly the case with Mr. William Gay and his work, "The Long Home".The story contains elements and actions that you have read before, the conflict between good and bad/evil, fear that prevents proper conduct, revenge and redemption, all are not unfamiliar ground. However, Mr. Gay makes his own mix of these elements and creates a story that is his and not just another derivative knockoff. From the explosive pit that becomes both a crypt and a pathway that delivers what will be the truth, to the evil player with the yellow eyes of a goat, the Author definitely sets his story as a battle between opposing forces with Capital Letters.The story, which is set in Tennessee, is not the typical slow motion trek through the oppressive heat of the South. That may seem like a minor point, but it is indicative of the Author's attention to detail and a portrayal that is not what is generally expected. He embeds the evil character with the appropriate darkness by sharing the story of his birth, which is anything other than routine, and perhaps not for the squeamish.The book has a great cadence as the Author unfolds his story at a pace that varies and is consistent with the level of tension and movement of events that unfold. The book provides all the suspense and conflict a book of this genre requires but it does not become contrived in an effort to make you race through the pages. Events unfold with credibility, and the results when unwound are credible as well.This is the first work for this Author, however he has a new work out, and it will be added to my reading list.
17 of 18 people found the following review helpful. Dark, funny, unforgettable: Buy this book now. Today. By tomf438613@aol.com I read this book with an increasing sense of wonder and awe. William Gay has written a moving, heartbreaking novel with people I believe and believe in, with language both poetic and taut, with detail to die for, with humor and wisdom and heart and darkness and a sense of place you might read a thousand books and never find. Buy this book and wrap it in Mylar and stand it on the shelf with your Faulkner and your Cormac McCarthy, and then take it down and start reading it over again. We all keep hearing about the next new voice in American fiction. Well folks, William Gay is a whole varied chorus of voices, all singing in perfect harmony. The song is dark, god yes, but you can't stop listening.
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