New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald
When somebody needs to go to guide shops, search shop by store, rack by rack, it is very problematic. This is why we supply guide collections in this web site. It will certainly reduce you to look the book New Masters Of The Wooden Box: Expanding The Boundaries Of Box Making, By Oscar P. Fitzgerald as you such as. By looking the title, publisher, or authors of guide you really want, you could find them rapidly. Around the house, workplace, or even in your method can be all best place within internet connections. If you want to download the New Masters Of The Wooden Box: Expanding The Boundaries Of Box Making, By Oscar P. Fitzgerald, it is very simple then, because now we proffer the connect to buy as well as make offers to download New Masters Of The Wooden Box: Expanding The Boundaries Of Box Making, By Oscar P. Fitzgerald So simple!
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald
Best Ebook Online New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald
Meet Thirty-Four Contemporary Artists Pushing the Boundaries of Box Making They are woodturners, furniture artists, and elite craftsmen from around the world who share a common vehicle for self-expression: the wooden box. With a lineage as ancient as civilization, the wooden box has evolved over centuries from containers that serve a purpose to a soulful summation of creative exploration. In this groundbreaking book, thirty-four innovative artists-the New Masters of the Wooden Box-share their amazing techniques, their inventive talents, and the inspiration that fuels their distinctive designs. You'll see each artist at work-in their studios and workshops-and discover why their stunning work has been selected for a highly-anticipated exhibit sponsored by the Center for Furniture Craftsmanship. To clearly capture the talents of each artist, a gallery of beautiful photographs displaying the spectacular boxes-many of which have never been published-accompanies each profile. New Masters of the Wooden Box looks beyond the surface of the finished work and into artistic language of material, technique, and form spoken by each artist.
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald - Amazon Sales Rank: #1611002 in eBooks
- Published on: 2015-11-25
- Released on: 2015-11-25
- Format: Kindle eBook
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald Review Tom McKenna's post last week about the box exhibit at the Messler gallery in Maine made me wish I could dart up the coast for a visit. I won't get that chance anytime soon and, truth be told, Rockport is a little bit out of the way for most folks. If, like me, you found yourself wanting to see more of the boxes, but with no chance to visit Maine anytime soon, don't worry. As one commenter to Tom's post pointed out, there's a new book based on the pieces in the exhibition and the artists who created them. New Masters of the Wooden Box is very thoughtfully done. Author and furniture historian Oscar P. Fitzgerald devotes a half dozen pages or so to each artist, offering a thorough and lively discussion of their backgrounds, inspirations and techniques. Each is illustrated with beautifully lit and detailed photos of the artist's work. It's not just the next best thing to the exhibit - it's a great find all on its own.Peter Korn's forward to this book says, "Boxes have a pedigree as ancient as civilization itself...The boxes in this book are not defined by intended use...Where earlier boxes were made to serve, these are made as vehicles of self-expression." These boxes are artworks, depicting everything from coffers and credenzas to a 20" seesaw box, where removing a lid sets the sculpture in motion. Some are dynamic, with mechanisms for locomotion to open, while many have concealed compartments or celebrate the beauty of multiple wood species. The book goes into the history of the maker as well as the product, along with its meaning to the artist and a collected sampling of his works. For example, Andy Buck describes "thinking with his hands," Kip Kristensen discusses how to come up with ideas, and Ray Jones tells how problem solving and engineering a box design leads to more and more designs evolving one from another. Many of these art boxes are turned or carved, with added materials of gems, glass or wire. Many of them celebrate pure wood grain, letting the forms serve as a canvas for nature's spectacle. Jeff and Katrina Seaton accomplished art with three unadorned, bandsawn, nesting eliptical boxes cut from a single block of rosewood. The accomplishment is as remarkable as the finished products. Thirty master craftsmen are represented here, with excellent photography and insightful text. This is a 'meaty' book, meant to be read thoroughly. The range of creativity included is stunning. Highly recommended.The simple wooden box has been an attraction and a challenge for many woodworkers and this Fox Chapel book is a collection of some of the more imaginative box designs, it's a fun read. This is a great book that takes the simple cube of a box to newly explored heights. The author and two jurors have compiled a collection of wooden containers from 34 innovative artists that may blow your mind. Pandora might have used some of these designs. First is the premise that a box need not be a cube or square. Emi Ozawa turns a wheel like object into an artful container. Robert Ingham turns laminates into a contemporary piece of art. Louise Hibbert makes a purse from English sycamore. Thirty-one additional artists from around the world show their talents in this beautifully illustrated portfolio. Boxes may contain almost anything and are usually made to do so .or not as this magnificent collection illustrates. The imagination is a wonderful thing.Pandora couldn't resist opening a box, and readers won't be able to fight the temptation to turn the pages of New Masters of the Wooden Box (Fox Chapel Publishing, available October 2009). Inside they'll find 34 innovative artists who are crafting remarkable boxes that throw function to the wind, and beg to be admired, touched, marvelled upon and ultimately, opened. The box has an age-old past, as ancient as civilization itself, when containers did just that - contain things - like spices, bibles, candles, sewing needles and snuff. Contemporary boxes are fundamentally different. They are no longer defined by their use, but made as a form of self expression and creative exploration. The whimsical, sculptural and conceptual boxes featured in New Masters of the Wooden Box have been selected for a touring museum exhibit sponsored by the Center for Furniture Craftsmanship in Rockport, Maine. This book is a must-have for woodworkers and art lovers alike.NEW MASTERS OF THE WOODEN BOX, by Oscar P. Fitzgerald, features the work of 34 artists who share their workshop techniques, training and early experiences with box making. Featured artists include Bonnie Bishoff, J.M. Syron, Michael Cullen, Michael Hosaluk, Robert Ingham, Kim Kelzer, Po Shun Leong, Tom Loeser, Craig Nutt, Tommy Simpson and Philip Weber. Fitzgerald, a furniture historian and decorative arts consultant, provides a retrospective of boxes and their uses in the introduction. He then profiles the box makers, who share their techniques, inventive talents and the inspiration that fuels their distinctive designs. The book was published with the exhibition, "Boxes and Their Makers," held this fall at the Messler Gallery of the Center for Furniture Craftsmanship in Rockport, Maine.Some of the 30 box-makers whose work is featured in this book are already well known to woodworkers all over the world; others are less famous. But all are prolific artists whose unique designs, innovation and meticulous craftsmanship place them at the very forefront of their field. The author, Oscar P Fitzgerald, is an academic - a furniture historian and decorative arts consultant who lectures in the Master's Program at the Smithsonian Institution/Corcoran School. One of his books, Four Centuries of American Furniture is regarded as the standard reference on the subject. In this book, Fitzgerald uses box making as the common element to link his subjects together, but he does not restrict himself to discussing only the boxes that they make. He explores their other work, just as he explores the origins of their interest in woodworking, the way in which their work has evolved, and the directions in which they appear to be heading. The extraordinary variety of designs and the exquisite craftsmanship demonstrated in the work shown in this book's superb photographs makes it difficult to select examples for this review. There are so many stunning pieces that only a random selection can be justified. The complex Treasure Chest by Robert Ingham, Principal of John Makepeace's School for Craftsmen in Wood (UK), is outstanding. Made from Macassar Ebony, Swiss Pear, American Black IValnut, Ripple Sycamore and Abalone Shell, it is an example of the ordered design that Ingham calls 'wood engineering'. A different kind of order affects the work of English artist, Louise Hibbert. The strange insect shapes within which she creates her sculpted boxes derive from an intense interest in biology. Born in Japan and now resident in the US, Emi Ozawa makes boxes which she says are really toys for grown-ups. Painstakingly crafted, they embody an element of whimsy. Hans Wiessflog's visits to Australia have left an indelible impression on the local woodturning community. The examples of his work shown in this book include, of course, his famous ball boxes and aptly demonstrate his oft quoted theme: Small and Fine. There seems to be nothing in the background of Po Shun Leong that might explain the origins of his extraordinary boxes. Born in Northampton, England in 1941, he graduated from a Quaker high school before studying architecture. He worked in this profession in Mexico for 16 years then moved to the US in 1981, having also become an accomplished furniture maker. It was only when he settled in California that he began to make boxes. Sometimes constructed from a dozen or more species of wood cut into perhaps hundreds of shapes and sizes, they often have multiple compartments. The overall result is spectacular, the oddly discordant components always adding up to a visually and emotionally satisfying whole. These are some of the other artists whose work is displayed and discussed: Bonnie Bishoff & JM Syron, Andy Buck, Kip Christensen, Michael Cullen, Jenna Goldberg, Michael Hosaluk, Kim Keizer, Yuji Kubo, Steven Kennard, Michael Mode, Andrew Potocnik, Richard Raffan, Jeff & Katrina Seaton, Bonnie Klein & Jacques Vesaery and Philip Weber. This is an inspiring book that is sure to appeal, not only to those who either make or wish to make boxes, but also to anyone who enjoys seeing and learning about the very finest work of the world's great wood artists.1 review total If you've ever thought, "If you've seen one box, you've seen them all", then think again! This book takes boxes to a whole new level. On one hand you have some extraordinary pieces of art in for the form of boxes (and more) and on the other hand it begins by taking you on a journey of man's evolution and the search for enlightenment. It is said that what makes us human is the ability to envision the possibilities. The craftsmen behind the boxes in this book have indeed envisioned and created "out of the box" possibilities. Now don't think that it is just our modern man who has developed the artist flare for creating non-box boxes. Some of the pieces shown in this book are from 1400-1500 BC! This book is not just about the boxes. In the first section of the book, the author walks us through our history, showing us how we used boxes, depending on the needs and beliefs of the day as well as tools and resources that were available at the time. The rest of the book is dedicated to particular artists, giving us a look at their creative works and a look behind the products and the artists themselves. If you are interested in stretching your mind and your woodworking "out of the box" then this book is for you. Not only are the boxes themselves inspiring but the information provided is also filled with tidbits of ideas. Some of the work will make you go, "Huh? How did they do that?" And some will get you saying, "Huh? How did they come up with that idea?" And some will just have you saying, "Huh?" Regardless of your initial response you will definitely be intrigued and inspired, and perhaps you will find yourself heading out to the shop in search of that enlightenment to create a box that is outside the box!Now, don't get hung up on the traditional image of a box: you know, five sides and a lid. The 34 craftsmen and women featured in New Masters of the Wooden Box sure aren't limited to a "boxy" box. Take Saskatchewan native Michael Hosaluk's shrimp-like boxes made from Australian jara and Canadian maple (above, left). They are more works of art than containers. In fact, most of the boxes in this book are on the fanciful/artistic side of things, as opposed to the practical/craftsman side. But these artsy boxes are introductions to other stunning works, such as Hosaluk's Yellow Cactus Chair and Scribble, a maple bowl decorated with acrylic paint. These both show a level of creativity and construction beyond usual project plans. And why not travel to the outer reaches of woodworking? There's probably some inspiration out there that you can bring back.Following an excellent introduction on the history of the box by Fitzgerald (Four Centuries of American Furniture) is a gallery of photos of contemporary boxes and other vessels by more than 30 artists from a 2009 exhibition at Maine's Messler Gallery. This is full of ideas for studio artists and advanced hobbyists and should inspire them to see boxes and other containers as works of art, not just as functional objects.This book follows on from New Masters of Woodturning (reviewed AWR#60) in layout and theme but with a different author. Fitzgerald presents 34 wood artists (including AWR contributors Richard Raffan and Andrew Potocnik) who use joinery, turning and carving techniques to make boxes and other objects. Styles are diverse, from sculptural and free-flowing lines, to geometrical, whimsical, and occasionally traditional. Over a third of the artists primarily use turning techniques. Each artist has his or her own chapter with images of their work (non-box work as well) and text by Fitzgerald that aims to give insight into their work practices.Beautifully illustrated, this volume serves as a catalogue and companion to the Boxes and Their Makers exhibition, which opened in the fall of 2009 at the Messler Gallery of the Center for Furniture Craftsmanship in Rockport, Maine. American historian Fitzgerald has gradually focused his career on furniture. He describes the pieces shown in the color photographs, and places them in the context of the artist's intention and other work. Three of the 30 artists represented are teams.
From the Inside Flap FLAP COPY With a lineage stretching back to the troubles of Pandora, boxes have captivated our curiosity. Who can resist opening a box? No matter how ornate or plain, highly crafted or rustic, ingenious or straightforward, a box is meant to be opened. That's because throughout history, boxes have performed the function of containment and the sheer variety of human invention they record is simply astounding. In New Masters of the Wooden Box, you'll see boxes in an entirely different light as thirty-four contemporary artists put form before function in creating technically challenging and aesthetically stunning works. These boxes are not defined by their intended use-instead, these works of art represent a journey of self-expression that celebrates the joy of craft. To capture what is truly unique about each artist and box, New Masters of the Wooden Box presents the artists' personal inspirations, artistic process, and amazing techniques, along with photographs of their captivating work. New Masters of the Wooden Box serves as an important document to the practice of craft today. Each box represents an effort to bring a new, meaningful, and creative thought into the world through a language of material, form, and technique. And, as you visit each artist and open every box, you will hear a vibrant point of view as to what it means to be human, to be thinking, and to be creative during these modern times.
From the Back Cover Woodworking/Art $29.95 US Meet Thirty-Four Contemporary Artists Pushing the Boundaries of Box Making They are woodturners, furniture artists, and elite craftsmen from around the world who share a common vehicle for self-expression: the wooden box. With a lineage as ancient as civilization, the wooden box has evolved over centuries from containers that serve a purpose to a soulful summation of creative exploration. In this groundbreaking book, thirty-four innovative artists-the New Masters of the Wooden Box-share their amazing techniques, their inventive talents, and the inspiration that fuels their distinctive designs. You'll see each artist at work-in their studios and workshops-and discover why their stunning work has been selected for a highly-anticipated exhibit sponsored by the Center for Furniture Craftsmanship. To clearly capture the talents of each artist, a gallery of beautiful photographs displaying the spectacular boxes-many of which have never been published-accompanies each profile. New Masters of the Wooden Box looks beyond the surface of the finished work and into artistic language of material, technique, and form spoken by each artist.
Where to Download New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald
Most helpful customer reviews
15 of 15 people found the following review helpful. Boxes as art, many fine examples! By RokJok Short review:I recommend "New Masters of the Wooden Box" highly!! It is a lushly photographed, inspirational box-making coffee table picture book with as much artistic and imaginative range as "400 Boxes:The Fine Art of Containment & Concealment" in a larger format, albeit with fewer artists and boxes shown. The major downside to me is the amount of page space New Masters dedicates to text about the artist's history or inspirations. I consider New Masters a picture book displaying stunning artworks, so I think anything on the page that isn't a picture is detracting from the book. Nonetheless, I find New Masters to be a valuable addition to my library of boxmaking books.Note that New Masters is a book of artistic box design inspiration for "what to make" rather than a "how to build it" manual of boxmaking techniques. How these artworks are actually created is not shown, only the final stunning results.One note on "New Masters" as compared to (or in conjunction with) "400 Boxes" -- many of the same artists and even some of the same boxes show up in both books. If we consider that both books cover a rather specialized subject (contemporary art boxes made from wood), it's not surprising that both authors would occasionally have to draw from the same pool of talent and workpieces to fill their pages.Long review:New Masters is essentially a catalog to accompany a show that opened in Sept 2009 at the Messler Gallery of the Center for Furniture Craftsmanship (CFC) in Maine and touring the USA thereafter.The introduction of the book is 18 pages covering the history of boxes from ancient Egypt up to contemporary times and from cultures all over the world. The photos of historical boxes in the introduction are on par with the excellent photos shown throughout the rest of the book. Given that the subject of historical boxes and their uses could cover a great many volumes on its own, the introduction here is necessarily rather generic and abrupt in dealing with boxes in each historical age. However, it is wide-ranging enough and diverse enough in introducing containers I don't typically think about that I found myself eager to get to the next era covered to see what tidbits of info I would get on its uses of boxes.The last part of the introduction was three-and-a-half pages of summation on the artists in the book and often a hint about specific work(s) from that artist. I think this is mostly a verbose waste of page space. I don't care what percentage of artists covered in the book are women or couples or any other grouping by type. I also don't want the author to coyly hint at the workpieces contained in the later parts of the book. My attitude on this part of the introduction was, "Skip all the blathering about, JUST SHOW ME THE BOXES!!!!"The main body of the book covers the artists alphabetically by their last name, with each artist getting a chapter to him- or her-self. The first page of each chapter is a full-page photo of a typical box -- or two or three or so -- by the artist. There is also at the front of the chapter a portrait of the artist, typically shown at work or in their studio. That is followed by six pages of extremely well-photographed less-than-full-page pictures of the artist's work interspersed with text on the artist's history and/or inspirations for their style. One of the things I like about New Masters over 400 Boxes is that in 400 Boxes the quality of photos varied somewhat, with some of the photos rather out-of-focus or having odd coloration. All of the photos in New Masters are very well done and consistent in presenting the boxes and other works in a very good light.That "other works" brings me to a minor nit I would pick with the editors of New Masters -- not all the works shown are boxes, even if they are stunningly imaginative and extremely well-crafted. In a boxmaking book I expect to see boxes, not the occasional table, chair, tool, or non-container art piece which is included in the pages of New Masters. I can forgive the inclusion of the bowls and basket-like objects included, since as containers they are cousins of solid-sided boxes and, in the hands of the very clever artists shown, can strongly blur the delineations on what should strictly be called a box.At the rear of the book is a brief bibliography and an index listing alphabetically each box by title and each artist by last name.Bottom Line: This is a richly illustrated compendium of contemporary state-of-the-art wooden boxes from a delightfully wide field of artisans. One of the best books for boxmaking inspiration on the market.
10 of 10 people found the following review helpful. Neve Judge a Book by it's Name By Fine Boxes Unfortunately this books title is a little misleading, "New Masters of the Wooden Box"' strays very early in the pages from the Wooden Box to Furniture Styles and Sculpture, which in itself may not be a bad thing but regrettably I am interested in primarily Box Makers and Box Design.Sadly this book does not really fill that bill.If you are after a Book dedicated to Box Making then there are far more enjoyable books than this one. I suggest one of Andrew Crawford's fine books or one by Doug Stowe or one titled "400 Boxes".If you are just after a book with some woodworking in it then this would do, for me, sadly it was a disappointment and a poor investment of my funds when considering the Book's Title.Which holds true that you should never judge a book by it's cover and indeed in this instance by its Title either.CheersSteve
27 of 33 people found the following review helpful. There are actually a few boxes in this book also By R. D. Morris I have been making boxes for a number of years now, have designed my own treasure chest box from the ground up, and also have made over 150 differently designed boxes and crosses without copying anyone elses work. I was looking for a little inspiration as I do from time to time and thought this book might be of value. I was wrong. The designs for the most part look like they are from another planet and for the life of me I can't even figure out what some of the items are supposed to be. There are tables, there are chairs, and there are art forms made in wood. Now wait a minute!!!! I thought I was buying a book entirely about boxes. If you turn wood there are a lot of turned boxes in here....or I guess that's what they are supposed to be. Most of the designs left me scratching my head and wondering why anyone would want to make half of these things anyway. There are a few good examples of the rectangular and square boxes we all have grown to love, and make, but not nearly enough to even peak my interest. I guess I'll be reselling this book soon as I don't see any reason to keep it for inspiration.
See all 5 customer reviews...
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald PDF
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald iBooks
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald ePub
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald rtf
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald AZW
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald Kindle
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald
New Masters of the Wooden Box: Expanding the Boundaries of Box Making, by Oscar P. Fitzgerald
